Sunday, January 31, 2010
American Gothic
Saturday, January 30, 2010
The Full Sally Singer Interview
Remember that Commonwealth Club forum I went to last June where Sally Singer, Features Editor at Vogue, was interviewed on stage for a whole hour about fashion and the directions things seemed to be taking in our new economy? It was a marvelous evening and I'm so fortunate to have been able to be there. Friday, January 29, 2010
No One Ever Said Love Was Easy
This blouse retails for about $1,900, which is probably the one thing I don't love about it. Sigh. Nothing is ever easy.
Thursday, January 28, 2010
Bed of Roses

Tuesday, January 26, 2010
Spring Preview with SF Indie Fashion
I Feel the Need, the Need for Tweed!
Personally, I think this derby-esque number is my favorite. More versatile, methinks. Though once upon a time I went on a Valentines Day bike parade in my wild

Monday, January 25, 2010
An Edwardian Evening (Kind Of)
I figured that at an Edwardian Ball, one dressed up in the costume of the time period, strolled around, and perhaps sipped a glass of absinthe, all the while admiring everyone else's costumes, and the pains taken in making them look as historically accurate as possible. I was wrong on almost all of those accounts, and I'll get to why in a minute, but I will say this: the absinthe flowed freely.
The Regency Ballroom, an elegant expanse of marble and brass, was marvelously decked out. On the main floor, there was a small display of scientific oddities. Lots of taxidermy, creatures in formaldehyde filled jars, and a fairly good sized menagerie of two-headed animals. This two-headed cat skeleton was one of my favorite displays. There were also performances of various popular dances of the time, including a can can show and the Viennese waltz.
Now here's the part where I have to brag a little bit: my entire outfit was pieced together from items that I already owned. The only thing that I bought new was a poofy floor length black satin skirt, and it cost one whole dollar - I grabbed it off the clearance rack at a thrift store near my work. The "Votes for Women" pin I made from an old ribbon from a horse show. I affixed a white circular sticker over the part where the picture of a horse usually is. I was sure there would be a lot of other revelers sporting suffrage-style pins and sashes, but I was wrong. I saw but one other suffrage-themed accessory the entire night.
Here's Amy on what we nicknamed the fainting couch. It was a great little rose-colored velveteen island where we sat and watch the crowd of hundreds go by. It was also a prime vantage point from where we could observe an on-going game of indoor croquet played out on fake grass. Along this terrain, between the wire wickets, were small black and white paper mache sculptures of warped little creatures that would look quite at home in a Tim Burton film.
I didn't take a lot of pictures. Most of the time it was just too dark, and you all know my deep aversion to using a flash when it isn't completely necessary. But honestly, there is a much bigger reason as to why I have so few pictures.I came to the Edwardian Ball with the expectation that it would be, you know, Edwardian. Top hats, elaborate mustaches, demure bustles, powdered bosoms. I saw all these things in spades, but in reality, it was every bit as common to see bright pink fishnets, cerulean and lavender wigs, non-functional whirlygig contraptions, and a massive amount of goggles adorning the heads of a large portion of the attendees. The steampunk kids were creeping about in full force.
I will say here and now that I really don't care for steampunk, something that takes the aesthetics of the Victorian (not Edwardian) period and mixes in Jules Verne and H.G. Wells-type science fiction elements, creating an alternate world where the past and future mesh, with a focus on anachronistic inventions, goggle-wearing, time travel, and scientific impossibilities. (For a more detailed explaination of steampunk fashion, see this lady's blog, which is also where the above image is sourced from). While I can appreciate the imaginative inspiration behind their get-ups, I am having a hard time understanding why such a large portion of the Edwardian Ball was focused on it.
I look at it like this: I like Star Wars. And where does Star Wars exist? In the outer reaches of space. The general world of Star Wars is a bit of a technological kerfluffle - the time period is "long, long ago" and yet in this world, inventions abound that we won't see on planet Earth for probably hundreds of years, if ever. So when NASA or some other organization hosts a convention or an evening of aeronautical appreciation, do I show up to such a function dressed as Princess Lea and talk hyperspace? In a sea of actual scientists and veterans of the astrophysics field, do I marvel at the Han Solo look-alike as he demonstrates a light saber that doesn't actually work, or coo at the gentleman who spent six weeks sewing his Wookie costume out of imported yak hair? The answer is clearly no, and I'll tell you why. This is the very reason Star Wars conventions exist, so that everyone can have a place to party and let their freak flag fly, and totally be in their element. I don't exactly want to play the role of party crasher by bringing an entirely ficticious element into a world of facts.
At something that is advertised as an Edwardian Ball, I want to be there to appreciate the ideas, people, and acheivements of the time, not to be bombarded with a sci-fi geek contingent in goggles and garters whose fake inventions don't actually do much except blow steam. Am I being unfair? Is this a case of the pot calling the kettle nerdy? It's entirely possible that I was in over my head, and had unrealistic expectations going into what was my very first - but, despite the goggles and tweed set, not my last -Edwardian Ball.
Sunday, January 24, 2010
Missoni on a Movie Poster
The garments in this poster are not as obvious as Renee Zellweger sitting on a Louis Vuitton steamer trunk or Sandra Bullock in a pair of Louboutins, but it still jumped out at me enough to mention it here on Cuffington. Here's Jennifer Lopez in what is no doubt a romantic comedy (haven't all these films been romantic comedies?) draped in what I'd bet my last dollar to be Missoni, or perhaps M Missoni.Unlike the three previous films that I wrote about, whose use of luxury goods on their promotional posters was clearly used as an indicator of the characters' economic status, I think this Missoni got thrown on moreso because it's beautiful and flattering. Although it's still my belief that nothing in advertising is incidental or left to chance, it's not as if she's wearing logo-a-go-go Gucci sunglasses or interlocking 'c' Chanel earrings. A little more subtle, but nonetheless present.
Saturday, January 23, 2010
A Whiter Shade of Pale

Thursday, January 21, 2010
Twee to Be You and Me
During my junior year of college, I took a weekend road trip to visit my friend Marisa at her small, wacky, liberal arts-minded Pacific Northwest private college. It was even more small, wacky, and liberal than the Pacific Northwest college I was attending, which definitely took some doing. Marisa gave me a whirly tour before our night of partying commenced, and one of the few things I took note of was a pamphlet that displayed the schedule of their low-wattage campus radio station. Like mine, there was a hip hop show, a punk show, a Christian power pop show, but something in the Thursday evening line up caught my eye: a show titled "Kittens, Kittens, Kittens."The short description of the show followed thusly: "Music that is cuter than a basket full of kittens. Twee music for girls, and boys who wear sweaters."
Ah, twee. What is it, exactly? It's kind of a you-know-know-it-when-you-see-it sort of thing. Urban Dictionary defines twee as "Something that is sweet, almost to the point of being sickeningly so. As a derogetory descriptive, it means something that is affectedly dainty or quaint, or is way too sentimental. In American English is refers to a simple type of sweet pop music but in British English it is used much more widely for things that are nausiatingly cute or precious."
Don't confuse twee with hipster, and defintiely not emo. Twee never really gets that sad. At worst it's more of a mild form of bummed out, an "oh dang" sort of sentiment. A small sampling of twee pop groups include Shonen Knife, All Girl Summer Fun Band, and The Vaselines.
This of course is all leading up to something fashion related. Yeah, I know it took me a while, but we've finally arrived! Last month my friends JT and Dyanna spoke of a now-defunct fashion blog that I had never heard of, but sent me hurling back to a time when listening to The Sofites and the Moldy Peaches while sipping tea in a fair isle cardigan was business as usual. Ladies and gentlemen, belles and sebastians, meet Twee Fashion.



The anonymous author of Twee Fashion, who goes by the name Pet Sounds, says that when it comes down to it "all you really need is a scarf and a sweater." And if you've knitted them yourself while listening to Beat Happening with a kitten in your lap, it's even better.I think this post features the word "kittens" more often than any previous post in the history of Cuffington. KITTENS!
Tuesday, January 19, 2010
Bags to Stash Your Capri Suns In
On days like today,when the winter weather is particularly gray and gloomy, I think of splashy colorful things that some day will be all around us. Like these lovely Fouland Tootsie bags from Prada.
...spooning half-frozen Capri Suns down my throat. Summer truly can't come quickly enough.
Saturday, January 16, 2010
White Nails + Mass Exhaustion
Thursday, January 14, 2010
A Man in Full
As to why this 'rule' exists, I'm not entirely sure. Perhaps it is the thought that as a story begins, the audience enters into a sort of contract with the author, and many unspoken winks and guarantees feed into their expectations. Does an audience want to feel validated by supposed foreshadowing in picking out the spoilers before they actually happen? A Single Man, Tom's Ford's directoral debut based on the Christopher Isherwood novella, is my favorite film of 2009. Some thoughts, including many of those aforementioned spoilers, are below.It's a languid day in late fall, Los Angeles, 1962. Colin Firth is George Falconer, a college professor who we learn has recently lost his partner of over a decade in a car accident. This is a man who must grieve behind closed doors. Early on, in a powerful scene, the family of his beloved informs George, via a phone call, that he is forbidden from attending the funeral. Thus begins a journey of emotional paradoxes. George lived and loved greatly, but for all intents and purposes he did so in the closet, and now he must be bereaved in the closet. He goes to work, the bank, the liquor store. George wants human connections but has retreated so far inside himself that he isn't sure if it's even worth it. He smokes pink cigarettes with a street hustler named Carlos, dines with his boozy neighbor (Julianne Moore) and embarks on a sexually charged mentor-like relationship with one of his students.
Some say the ending, the ironic way in which George dies, is too heavy handed. To me, the only part of A Single Man that could have used a lighter touch was the choice to turn up the color saturation levels during moments when George was making real human connections. It was distracting, and after a while felt a bit gimmicky. Firth is masterful in this role, and I didn't particularily need cinamatographic elbows in my side to clue me in as George's emotions waxed and waned.
A Single Man is the story of a day. A contradictory day that is lush, bleak, academic, carnal, and awash in a paintbox of exploding colors and emotions. As George says, "If there's going to be a world with no sentiment, that's not a world I want to live in."
Wednesday, January 13, 2010
Movie Sign!
Tuesday, January 12, 2010
Cherry Bomb

Monday, January 11, 2010
No and No
About a year or two ago Marc got a bunch of celebrities to pose nekkid and be on t-shirts. All the proceeds from these t-shirts go toward the NYC Langone Medical Center, which works towards finding a cure for skin cancer. Although I've worn this shirt in public many times, this was the weekend when everyone decided to ask me questions about it.So, lessons learned: Dita is neither dead nor trans. Not that asking if someone is "really" a specific gender is the best way to talk about the trans community. Just so you know. And I'm now beginning to wonder if is it now my personal duty to put wayward rumours about my beloved Dita to rest. Well, if that is my lot in life (at least when I'm wearing that t-shirt), so be it.
Sunday, January 10, 2010
If You Love Something, Let It Go
Thursday, January 07, 2010
Style Cinema Returns!
Our next adventurous evening of Style Cinema is right around the corner! On Thursday, January 14th, Annie and I will once again host a night of movies with aesthetics that are definitely worth celebrating. Last time we screened Marie Antoinette, and this time around things are taking a slightly different turn. It's a double feature, with two short but delicious documentaries on the menu.Unzipped is not only one of my favorite documentaries about the fashion biz, but one of my favorite documentaries, period. Filmed in 1994, it follows designer Isaac Mizrahi as he prepares his collection to be shown. He is under a lot of pressure to have it be amazing, as his past show received less than stellar reviews. The filmmakers take a warts-and-all approach to documenting Isaac's life, showing moments of great delight, total exhaustion, backstage chaos, creative frustration, but above all, passion. Hilarious and quoteable as Isaac is, one cannot help but admire his incredible hunger to do what he loves.
There are too many cameos in Unzipped to even begin to list, from models to industry legends and fellow designers. Somewhat accidentally, Unzipped also captures a very specific moment in time in terms of industry aesthetics; the age of the Supers had just peaked, and although there is wall-to-wall Linda/Christy/Cindy/Naomi and then some (Carla Bruni for one), Kate Moss struts down the runway right along with them, signaling a dramatic departure from what a top model was expected to be.
I mentioned earlier the deep sense of passion that runs through Unzipped. This feeling is immediately evident in Marc Jacobs & Louis Vuitton as well. Loic Prigent's documentary follows Marc as he simultaneously prepares his S/S 2007 collections for both Louis Vuitton and his own line. It is truly fascinating to watch these two knock-out collections take shape, from conception and inspiration, to the muslin-draped dummies, model fittings, and the migraine-inducing hours that Marc and his incredibly talented staff endure to bring it all together.Please join us at the Velo Rouge Cafe (798 Arguello at McAllister) on Thursday evening, January 14th at 6:30PM, for Style Cinema. The cafe offers food (I heartily recommend their pizza), wine, beer, and regular cafe drinks, featuring Blue Bottle Coffee. Alice & Isa will also be on-hand with a few select products from their collection for you to shop. There is no cover whatsoever, but we advise showing up a little early for seating as we set up the projector, as our night of Marie Antoinette ended up being a full house. See you Thursday!
(And hey, if you want to always stay on top of all things Style Cinema, may I suggest visiting us on Twitter and Facebook as well)
Bag Lady
Seven Nation Army

Tuesday, January 05, 2010
Let's Get Down to the Task at Hand

A promise of spring, all in the form of a shoe. So many things going on at once, and it all works so well. Some healthy licks of wood, soft black, buttery yellow, a juicy shade of green in a material that seems to be embossed ostrich, and a totally daring heel that does not hold back. Who makes these sandals is a mystery to me, as the styling credits on Gilt Groupe did not include footwear. I'm sure I'll learn eventually, as if awaking from a dream of early spring.
Monday, January 04, 2010
I'll Be Your Mirror
How my Grandpa knew I had been looking for YEARS for a huge gold antique mirror to hang above my bed, I know not. But all of a sudden we were down in the basement, when he took it down from a hook on a wall and handed it over.








